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미술사논단53 호
제목
고려 전기 '순화(淳化)'명 청자 제기류의 현황과 의의
원어 제목
Characteristics and Significance of Celadon Ritual Vessels with the Inscription 'Sunhwa(淳化)' in the Early Goryeo Dynasty
주제 분류
자료 유형
학술논문
저자
장남원 張南原   지음
발행일자
2021.12.30
기본언어/원문언어
일본어/한국어
수록면/분량
7-34쪽 / 총 28쪽
국문초록
고려 전기 태묘의 건립에 따른 의례의 확립으로 왕실의 존엄과 왕의 정통성을 가시화하고자 했던 10세기말, 현전하는 태묘용 제기들을 통해 그 현황과 성격을 파악해보고자 함. 1점의 전세품을 제외하면 모두 개성 인근 배천 원산리에서 제작된 것으로 기종과 형식은 역대 의례서에 수록되었던 기물들과 대체로 유사하지만 특히 송대 섭숭의가 편찬했던 『삼례도』의 기물형식과 가장 비슷하다. 또 최(崔), 심(沈), 이(李), 왕(王) 등 4개의 서로 다른 중국식 대성(大姓)을 가진 향기장(享器匠)의 이름이 새겨져 수공업 생산의 공적 시스템과의 연관성도 추론해 보고자 한다.
외국어초록
This study examines the characteristics and meanings of celadon ritual vessels engraved with the word ‘Sunhwa(淳化)’, made between 992 and 993 of King Seongjong’s reign in Goryeo. All these celadons were used for ritual use. One of them is a Tae Jun(太尊) and is in the collection of the Ewha Womans University Museum, and the remaining fragments are Du(豆), made at the Baecheon Wonsan-ri kiln site, near Gaegyeong. And the fact that these celadon were produced in a workshop near Gaeseong shows the possibility that celadon production was carried out under a public system around the 10th century. The type and form of these celadon ritual vessels are generally similar to those recorded in the previous rites, but in particular, they were most similar to those of 『Samryedo(三禮圖)』 compiled by Seopsungui(聶崇義) of the Song dynasty. On the celadon ritual vessels with the inscription 'Sunhwa', the names of the artisans (or officials) who were in charge of the vessels are also engraved. Since the end of the 10th century was before it became common to attach a surname to a person's name in Goryeo, the fact that such a name was engraved on the vessel for ancestral rites proves how important the establishment of Taemyo and the rites were. King Seongjong(成宗) of Goryeo established the Confucian foundation of the Goryeo state and strengthened the administrative system and order. Among them, the most symbolic act was the establishment of the Taemyo(太廟), and the preparation of the ancestral ritual and the implementation method according to the procedure were planned. It symbolized the dignity of the royal family for the king to directly participate in the ancestral rites, and it was also for the king to show the relationship and bond between himself and the royal ancestors to the people. And by arranging the gods around Taejo in the ancestral rites of Taemyo, it was intended to visualize the lineage of the royal family and the successive political powers. And the celadon ritual vessels engraved with the word ‘Sunhwa(淳化)’ were the most concrete examples of the purpose of King Seongjong.
참고 문헌
키워드
순화명 청자, 태준(太尊), 두(豆), 등(登), 태묘(太廟), 친제(親祭), 삼례도(三禮圖), 배천 원산리 가마터
PDF 문서
논단53_01장남원.pdf