논단 |
미술사논단50 호 |
제목 |
출구, 1980년대 이후 대만의 신추상미술 |
원어 제목 |
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주제 분류 |
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자료 유형 |
특집논문 |
저자 |
양지아링 楊佳玲 지음 |
발행일자 |
2020.06.30 |
기본언어/원문언어 |
한국어/한국어 |
수록면/분량 |
169-214쪽 / 총 46쪽 |
국문초록 |
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외국어초록 |
Placing focus on post-1980s abstract art, this study aims to investigate how abstract art has been translated and transplanted into Taiwan through China, Japan and the U.S. in different stages. In discussing the drift from group to independent abstract from the 1980s to the present, and how abstract painting has been conformed in the Chinese- speaking world, this paper argues that what came with this very art form were experimental modes under specific socio-political conditions that artists aiming to transform and to exit from their existing boundaries and realities, and utmost, questing for democracy and their Taiwanese identity.
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참고 문헌 |
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키워드 |
추상미술Abstract art, 신추상회화Neo-abstract painting, 리중셩(李仲生), 샤오친(蕭勤), 류궈숭(劉國松), 쉐바오샤(薛保瑕), 대만미술Taiwanese Art, 초국적 미술transnational art, 반 전통 anti-traditional, 모더니즘 Modernism, 포스트 모더니즘Postmodernism |
PDF 문서 |
50_07(1).pdf |