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미술사논단45 호
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16~19세기 韓·中 雪景畵에 내포된 王維 인식과 표현
원어 제목
The Perception and Expression of Wang Wei among the Korean and Chinese Snow-Scenery Paintings from the Sixteenth to Nineteenth Centuries
주제 분류
자료 유형
학술논문
저자
박효은 朴孝銀   지음
발행일자
2017.12.30
기본언어/원문언어
한국어/한국어
수록면/분량
251-279쪽 / 총 29쪽
국문초록
외국어초록
This paper traces the origins and background of the snow-scenery paintings of Ming-Qing China and Joseon Korea focusing on the subject matter in parallel with the techniques, themes and styles applied. It also attempts to shed light on the differences in perception and expression of Wang Wei (王維, 699?759) between Korea and China. I began with examining the five different winter landscapes in the painting album entitled Hwawon byeoljip (畵苑別集, Separate Collection of Garden of Paintings), which is believed to have been compiled in the early nineteenth-century Korea. The paintings in the album date back to the early, mid-, and late Joseon periods and display three distinct thematic categories: winter scenery as a part of a representation of the four seasons, visualizing descriptions of literary narratives, and creative copies of Chinese old masters. They prevailed at different times prior to the sixteenth century in China and later formed multilayered thematic phases in East Asian art world, starting in the seventeenth century. (이하 생략)
참고 문헌
민길홍 Min, Kil-hong, 「조선 후기 설경산수화 Snowscape Paintings in the Late Joseon Period」,『美術資料 National Museum Journal of Arts (Misul Jaryo)』 70·71, 2004. 朴恩和 Park, Eun-wha, 「明代 前期의 宮廷繪? Court Painting of the Early Ming Dynasty(1368~1505)」, 『美術史學硏究 Korean Journal of Art History』 231, 2001. 9. 박효은 Park, Hyo-eun, 「《石農畵苑》을 통해 본 한·중 회화후원 연구 A Study of Art Patronage in Korea and China Based on the 18th Century Painting Album Seongnong Hwawon」, 서 울: 홍익대학교 대학원 박사학위논문 Ph. D. dissertation, Seoul: Hongik University, 2013. 안휘준 An, Hwi-jun, 『한국회화사 연구 The History of Korean Painting』, 서울: 시공사 Seoul:Sigong-sa, 2000.
키워드
명청과 조선의 회화 Paintings in the Ming-Qing and Joseon Period, 화제 Subject of Painting, 설경화Snow Scenery Painting (이하 생략)