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19세기 후반 프랑스 공예도안의 동양요소와 일본의 수용: 디자이너 에밀 라이버와 크리스토플社의 금속공예도안을 중심으로
원어 제목
Oriental Elements of Late 19th-Century French Craft Design and Japan’s Adoption
주제 분류
자료 유형
학술논문
저자
김세린 金世麟   지음
발행일자
2017.12.30
기본언어/원문언어
한국어/한국어
수록면/분량
157-184쪽 / 총 28쪽
국문초록
외국어초록
Around 1870, numerous European craft designs have been introduced to Japan. In addition, the Iwakura Mission collected a vast amount of works for the “Intellects of the future” and visited many places and recorded the technology and current states of the locations they visited in journal entry like forms in great detail. At that period of time in Europe, Japonism was trending, and Art Nouveau was slowly coming into existence as it expanded. As the subject of analysis in this text, Emile Reiber was the most well-known designer at that period of time. L’art Pour Tous, an art and design illustration magazine where Emile Reiber served as editor for a long period of time, was imported on a massive scale into Japan through the exhibition bureau and commercial bureau during the late 19th century to early 20th century. Although he did not visit Japan to influence directly the establishment of modern design in Japan, the trends of modern design and craftwork after the period 1890~1900 and the possibilities of indirect influence from the imported designs and craftwork are clearly evident.(이하 생략)
참고 문헌
구메 구니타게 Kume, Kunitage, 박삼헌 외 옮김 Park, Samheon et al. trans., 『특명전권대사미구회람실기 Beio Kairan Jikki』, 소명출판 Seoul: Somyeongchulpan, 2012. Annee, Seizieme eds., Annuaire de la presse francaise, Paris: Lobraorie H. Le Soudier (1886~1913년 영인본). Christof le, Charles, Histoire de la dorure et de l'argenture electro-chimiques, Paris: Impr. de E. Duverger, 1851. Christofle & Cie, Le Pavillon De Hanovre, Paris: Christofle, 1930.
키워드
에밀 라이버 Emile Reiber, 크리스토플社 Christofle & Cie, 미구회람실기 BeioKairanJikki, 근대화modernization, 공예도안 design, 온지도록 Onchizurok