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미술사논단44 호
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이미지의 이중 기능과 神聖化
원어 제목
The Research of the Dual Functions and the Sacred Transformation of Images
주제 분류
자료 유형
학술논문
저자
션위룽 沈裕融   지음
발행일자
2017.06.30
기본언어/원문언어
한국어/한국어
수록면/분량
125-150쪽 / 총 26쪽
국문초록
외국어초록
This study is hoped to point out the fact that an image in its initial stage (during ancient Greek era) didn’t necessarily have anything to do with the concept, “reality-false”. On the contrary, an image has everything to do with “sacred- worldly” via an image’s dual functions, Eidôlon and Eikôn. The interpretation regarding the nature of an image has immensely and profoundly influenced not only the art history development in the west (ex. photography and movies) but also religions (ex. The conflicts between image-worshiping and image-vandalizing taking place during the Byzantine Empire period around 8th -9th century) and the evolution of philosophical being (from the recognition of images in the ancient Greek time to Plato’s critics elucidating that images couldn’t reflect one’s existence but other way around). Hence, via exploring the documented meanings of these two words, eidolon and eikôn, it’s our attempt to gradually clear up the blurry areas along the way to understand how an image transformed its initial symbolic function as an “idol”, eidôlon, to an “statue”, the public, visible and existing functions of eikôn. Although both were served to demonstrate the sacred manifestation in the holy world, there was still a fundamental difference setting them apart. “Idol”, owned or dominated by a limited few most of the time, was a mere substitute for the holy spirits while an “image” exhibits “visible” miraculous evidence, such as” the pictures of God”. The latter externalized the process to attract and seize the public’s “visible” attention and allow the “existence” to take place. This specific “publicity” in an “image” has then become the origin of “universality” and “generality” scrutinized in the philosophy studies.
참고 문헌
張盈馨 Chang, Yin-Hsin, 「論古希臘時期與巴門尼德斯‘對擬像’之看法 On as the Views of the Ancient Greece and Parmenides on the Simulacrum」, 『止善 Zhishan 』 9, 2010. 12. 讓·皮埃爾·韋爾南 Jean-Pierre Vernant,余中先譯 Yu, Zhong Xian trans.,『神話與政治之間 Entre mythe et politique 』,北京:生活、讀書、新知三聯書店 Beijing: SDX Joint Publishing Company,2001. 讓·皮埃爾·韋爾南 Jean-Pierre Vernant,杜小眞譯 Du, Xiaozhen trans.,『古希臘的神話與宗教 Mythe et religion en Grèce ancienne 』,北京:商務印書館 Beijing: The Commercial Press, 2014. 讓·皮埃爾·韋爾南 Jean-Pierre Vernant、皮埃爾·維達爾-納凱 Pierre Vidal-Naquet,張苗、楊淑 嵐譯 Zhang Miao, Yang Shulan trans.,『古希臘神話與悲劇 Mythe et tragédie en Grèce ancienne 』, 上海 Shanghai:華東師範大學出版社 East China Nomal University Press,2016. 譚家哲 Tan, jiazhe,『形上史論 On the History of Metaphysics (Xing Shang Shi Lun) 』, 台北:唐山出版 社 Taipei: Tangshan Press,2006. 譚家哲 Tan, Jiazhe,『詩文學思想 Thoughts in Chinese Poetic Literature(Shi wen xue si xiang)』,台北: 漫遊者出版社 Taipei: Azothbooks Press,2014. 鄒建林 Zou,Jianlin,『影子與蹤跡:漢斯·貝爾廷圖像理論中的指涉問題 Shadow and Trace: A Study into the Reference in Hans Belting's Theory of Image』,長沙:湖南美術出版社 Changsha: Hunan Fine Arts Publishing House,2014. Belting, Hans, An Anthropology of Image: Pictures, Medium, Body, trans. Dunlap, Thomas , Princeton University Press, 2001. Nancy, Jean-Luc, The Muses, trans. Peggy Kamuf, Stanford University Press, 1996. Nancy, Jean-Luc , The Ground of the Images, trans. Jeff Fort. New York: Fordham University Press, 2005.
키워드
이미지 image, 우상 idol, 에이도론 eidôlon, 에이콘 eikôn, 신상 statue, 신성함 secred, 공공성 publicity